Marley’s undying legacy

Every year for the past 25 years, reggae lovers worldwide come together on May 11 to commemorate the great star who died of cancer on that date in 1981. They hold shows in honour of the man who has one of the most colourful music histories in the world. Marley was the first Jamaican artiste to achieve international superstardom, in the process introducing the music of his native island nation to the far-flung corners of the globe. His gave voice to the day-to-day struggles of the Jamaican experience, vividly capturing not only the plight of the country’s impoverished and oppressed, but also the devout spirituality that remains their source of strength. His songs of faith, devotion, and revolution created a legacy that continues to live on not only through the music of his extended family, but also through generations of artistes the world over touched by his genius. According to an autobiography on VH1.com, Robert Nesta Marley was born February 6, 1945, in rural St Ann’s Parish, Jamaica. The son of a middle-aged white father and teenage black mother, he left home at 14 to pursue a music career in Kingston, becoming a pupil of local singer and devout Rastafarian Joe Higgs. He released his first single, “Judge Not”, in 1962 for Leslie Kong, severing ties with the famed producer soon after over a monetary dispute. In 1963 Marley teamed with fellow singers Peter Tosh, Bunny Livingston, Junior Braithwaite, Beverly Kelso and Cherry Smith to form the vocal group the Teenagers, later rechristened the Wailing Rudeboys and then simply the Wailers. They signed on with producer Coxsone Dodd’s legendary Studio One and recorded their debut, “I’m Still Waiting”. When Braithwaite and Smith exited the Wailers, Marley assumed lead vocal duties, and in early 1964 the group’s follow-up, “Simmer Down”, topped the Jamaican charts. A series of singles, including “Let Him Go (Rude Boy Get Gail)”, “Dancing Shoes”, “Jerk in Time”, “Who Feels It Knows It”, and “What Am I to Do” followed, and in all, the Wailers recorded some 70 tracks for Dodd before disbanding in 1966. On February 10 of that year, Marley married Rita Anderson, a singer in the group the Soulettes, who later enjoyed success as a member of the vocal trio the I-Threes. Marley then spent the better part of the year working in a factory in Newark, Delaware in the United States, the home of his mother since 1963. Upon returning to Jamaica that October, Marley re-formed the Wailers with Livingston and Tosh, releasing “Bend Down Low” on their own short-lived Wail ‘N’ Soul ‘M label. They all began devoting themselves to the teachings of the Rastafari faith, a cornerstone of Marley’s life and music until his death. In 1968, the Wailers recorded a wealth of new material for producer Danny Sims before teaming the following year with producer Lee “Scratch” Perry. Backed by Perry’s house band, the Upsetters, the trio cut a number of classics, including “My Cup”, “Duppy Conqueror”, “Soul Almighty”, and “Small Axe”. Upsetters bassist Aston “Family Man” Barrett and his drummer brother Carlton soon joined the Wailers full-time, and in 1971 the group founded another independent label, Tuff Gong, releasing a handful of singles before signing to Chris Blackwell’s Island Records a year later. 1973’s Catch a Fire, the Wailers’ Island debut, was the first of their albums released outside of Jamaica, and immediately earned worldwide acclaim. The follow-up, “Burnin’,” launched the track “I Shot the Sheriff”, a Top 10 hit for Eric Clapton in 1974. With the Wailers poised for stardom, however, both Livingston and Tosh quit the group to pursue solo careers. Marley then brought in the I-Threes, which in addition to Rita Marley consisted of singers Marcia Griffiths and Judy Mowatt. The new line-up proceeded to tour the world prior to releasing their 1975 breakthrough album “Natty Dread”, scoring their first UK Top 40 hit with the classic “No Woman, No Cry”. Sellout shows at the London Lyceum, where Marley played to racially mixed crowds, yielded the superb “Live!” Later that year, and with the success of 1976’s “Rastaman Vibration”, which hit the Top 10 in the US, it became increasingly clear that his music had carved its own niche within the pop mainstream. As great as Marley’s fame had grown outside of Jamaica, at home he was viewed as a figure of almost mystical proportions, a poet and prophet whose every word had the nation’s collective ear. His power was perceived as a threat in some quarters, and on December 3, 1976, he was wounded in an assassination attempt. The ordeal forced Marley to leave Jamaica for over a year. 1977’s “Exodus” was his biggest record to date, generating the hits “Jamming”, “Waiting in Vain”, and “One Love/People Get Ready”. “Kaya” was another smash, highlighted by the gorgeous “Is This Love” and “Satisfy My Soul”. Another classic live date, Babylon by Bus, preceded the release of 1979’s “Survival”. 1980 loomed as Marley’s biggest year yet, kicked off by a concert in the newly liberated Zimbabwe. A tour of the US was announced, but while jogging in New York’s Central Park he collapsed, and it was discovered he suffered from cancer that had spread to his brain, lungs and liver. “Uprising” was the final album released in Marley’s lifetime. He died May 11, 1981, at the age of 36. Posthumous efforts ‘ including 1983’s “Confrontation” and the best-selling 1984 retrospective “Legend” ‘ kept Marley’s music alive, and his renown continued growing in the years following his death.

May 2006
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