Giclee printing is a type of inkjet printing – however critically, not all inkjet prints are giclee prints. Giclee printing is intended to create an item at a higher caliber and with a more extended lifespan than a standard desktop inkjet printer.
Originally, the word was used to describe digital reproductions of regular artworks (painting or drawing) or photographs. Today, it is commonly acknowledged that a giclee print can also be a work made altogether in a digital work process on a cutting edge PC application like Creative Cloud editions of Adobe Photoshop or Illustrator.
Be that as it may, not all inkjet printers produce giclee prints. Everything boils down to these four elements: resolution, ink, paper, and printer type.
What makes a giclee?
To have the option to make such a great print, the camera or scanner used to catch or scan the art must have the option to do as such with an elevated level of resolution. To look at, most digital photos are recorded at a resolution of 72 DPI on the screen. Or “dots per inch,” and the picture document of an art print needs to be at any rate 300 DPI. That is because the more dots of color that can be printed in a small region, the more nitty-gritty your last picture will show up.
As far as ink and paper go, it is clarified that they must be high caliber and considered archival. This is ordinarily accomplished using inks that are color based instead of color based and any canvas, watercolor paper. Or specialty printing paper designated as archival. Printers are ordinarily bigger models that can hold up to 12 ink cartridges. Which produce a more extensive scope of colors for copying your artwork.
Open Edition vs. Limited Edition
Artists have the choice to make either open edition or limited edition prints. With open editions, various prints that can be made and sold are boundless, offering artists a constant source of possible income.
Then again, the quantity of limited editions is deliberately chosen and no more can be made after they are completely sold. Of course, this does make limited edition prints increasingly important in the eyes of authority. So artists can charge more for this type of print.
Finding a Printer
Fortunately for artists, printers are getting better than anyone might have expected in terms of quality. Nowadays, they’re even ready to create top-notch art prints on metal, as Displate does!
With regards to finding a respectable printer for your giclee prints, ensure you do your research. Ask different artists in your locale who they suggest, at that point don’t hesitate to visit those studios, speak with the printers, and take a gander at samples of their work.
Dependable gear, specialized skill, and envisioning a long haul working relationship are a must.
Making Your Editions
With the assistance of your printer, your artwork will be scanned or captured. At that point, an “artist’s proof” is printed. When you endorse that the print matches the original artwork just as you would prefer. A creation document is normally made with all the details relating to color, density, paper finish, print size, void area as a fringe, etc secured for indistinguishable printing.
In some cases, when a constrained edition is sold out, the proofing and creation files for that print are erased to keep the honesty of the edition flawless for buyers.
The Right Quantity
On the off chance that you choose to go restricted with your prints, you will rapidly be asking yourself the question, “What number of constrained edition prints should I make?”
There is no set in stone number. It could be five or it could be 500! In any case, you have to deliberately consider before signing off with your printer. Keep in mind, the fewer editions there are, the more significant expense you will have the option to ask and the more important points are to buyers. Be that as it may, particular types and sizes of art with a bigger number of editions may be a superior fit for your objective customers.
So, ask yourself, what sort of customer am I attempting to reach? Where does this fit in with my different offerings and price points? What’s more, what number of editions do I think I’ll have the option to sell?
Subsequent to considering how editions fit into your sales strategy, you will have a superior thought of the demand from your customers. Also, take note of how important you have to advertise them. Along these lines what a number of you need to have the option to offer.
Choosing the Price
As with all artwork, evaluating your artistic work prints will rely upon your vocation level, taking care of the costs of making the work, the benefit you wish to make. And what your objective customers are happy to pay.—all while remembering the number of editions you will sell. Digital printmaker Old Town Editions offers all the more evaluating tips and a giclee estimating chart here.
Step by step instructions to Go About Selling Giclee
Since they’ll be a lower price point than your other work, have a go at offering them pair with your originals at art fairs. Also your exhibitions, to developing collectors, or to those enthusiastic fans who genuinely discover originals excessively expensive. Galleries and wholesale shops may consider selling prints as well.
Another choice is to then use these excellent images of your art for licensing or merchandising purposes. Numerous capable fine artists like Robin Maria Pedrero and Tyler Wallach have discovered success with this chance. Look at their guidance for interested artists here.
Make a point to illuminate your buyers that what they are getting is a print and that is the reason they can stay at a lower price point. The last thing we need to do is make a customer think they are getting an original or degrade crafted by an original piece. Notwithstanding, there is nothing amiss with using your own symbolism in reproductions to add to your sales.
What You Need to Track
Monitoring your art is more basic than any other time in recent memory with regards to editions.
First, you must number and stamp your prints appropriately as they’re sold to ensure the uprightness of the restricted edition. Usually with a part like “12 of 50.” Artist’s proofs, a master picture, prints not available to be purchased. And printer’s copies all should be accurately set apart as well.
Plus, you should know about where your prints are functioning well. Regardless of whether they are being shown in galleries or on consignment, to precisely monitor your sales and stock. At last, you should always save the purchaser’s contact data for future purchases or referrals.
With such a large number of details to monitor, using an art stock administration system like Artwork Archive can be a life-saver. Our latest editions highlight helps you easily number and stock your editions, send out reports, gain insights. And get a preview of the entirety of your editioned work. That is because then you can successfully add editions to your art business collection.
The advantage to artists delivering their work as a giclee print is that it very well may be made ‘on-demand’. Because the process is digital and does not require the bigger numbers required for an offset print request. Or the time and cost that goes into customary screen printing, it very well may be a decent route for artists to deliver their own prints as opposed to requiring a second party printer.
When purchasing a print that indicates it’s a giclee, ensure that the type of ink, paper, and the printer is of listed and good quality. A giclee print should have a life span of 100 years or more if appropriately thought about by the proprietor.